|
1:
She Walks in Beauty
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
2:
A Passion for Justice
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
3:
Rain from Heaven
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
4:
Twilight Town
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
5:
Toy Soldier
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
6:
A Question of Strength
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
7:
Calamity Over the Comstock
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
8:
Journey Remembered
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
9:
The Quality of Mercy
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
10:
The Waiting Game
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
11:
The Legacy
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
12:
Hoss and the Leprechauns
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
13:
The Prime of Life
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
14:
The Lila Conrad Story
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
15:
Ponderosa Matador
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
16:
My Son, My Son
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
17:
Alias Joe Cartwright
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
18:
The Gentleman from New Orleans
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
19:
The Cheating Game
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
20:
Bullet for a Bride
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
21:
King of the Mountain
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
22:
Love Me Not
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
23:
The Pure Truth
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Process Photography
Farciot Edouart
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
|
|
24:
No Less a Man
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
25:
Return to Honor
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
26:
The Saga of Muley Jones
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
27:
The Roper
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
28:
A Pink Cloud Comes from Old Cathay
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
29:
The Companeros
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
30:
Enter Thomas Bowers
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
31:
The Dark Past
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Everett Douglas
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
32:
The Pressure Game
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
Haskell Boggs
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
33:
Triangle
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Ralph E. Black
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Ellsworth Hoagland
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|
|
34:
Walter and the Outlaws
|
|
Producer
David Dortort
Music
David Rose
Story Consultant
Frank Cleaver
Art Direction
Hal Pereira and A. Earl Hedrick
Assistant Director
Don Daves
Makeup Supervision
Wally Westmore
|
Associate Producer
James W. Lane
Musical Supervision
William Lava
Production Supervisor
Kent McCray
Editor
Marvin Coil
Set Decoration
Sam Comer and Grace Gregory
Hairstyle Supervision
Nellie Manley
|
Production Executive
Robert Stillman
Director of Photography
William F. Whitley
Color Consultant
Edward P. Ancona Jr.
Casting Supervisor
William Maybery
Sound Recording
Lyle Figland and Joel Moss
|
|